![]() ![]() L'estro armonico ( The Harmonic Inspiration), 12 concertos for various combinations, of which the best known are No. If there's no (or little) interest, this thread may quickly fall off the bottom of the list, but I believe it'll find an audience.12 sonatas for two violins and basso continuoħ3, 67, 61, 66, 69, 62, 65, 64, 75, 78, 79, 63Ģ7, 31, 14, 20, 36, 1, 8, 23, 16, 21, 9, 32 If there's no (or little) interest, this thread may quickly fall off the bottom of the list, but I believe it'll find an audience. I freely confess I have little interest in this material (occasional exceptions, of course), but have had to resort to adding a couple of members to my 'ignore' list as all they seemed to want to discuss was Wagner, Mahler and Bruckner. However, of late, it has veered into a conversation almost exclusively about 19th century classical 'warhorses' performed performed by large, traditional orchestras. Second, I've participated in the 'Classical and conversation' thread (and mostly happily) since it was created in 2017. On which point, two counts: first, the concept for this thread is borrowed from who in turn borrowed it from who created a similar Jazz thread. Mozart and Haydn), but if you wish to discuss Beethoven or later, that is probably more appropriate to existing 'Classical and conversation' thread. I'm even open to early classical works (e.g. ![]() I'm starting this thread to encourage a discussion of Baroque music (c.1600-1750), Early music (c.1200-1600) and the overlapping idea of historically-informed performance.
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